She stands on the shore watching the waves in action. The confrontation between waves and shoreline is intense to the extent of madness. She shudders as she thinks, “One fights for survival, the other for power.” She watches the angry tormentor… it lashes the shore in all directions, hits and subdues to strike again. Waves curl and stretch, crash with force on mutable earth, flood everything. In her mind they form angry faces, expressions filled with horrifying sentiments.
*
She stands on the shore next to him.
It’s like men and women,” she feels. “For them it is always a case of extremity.” She’s aware that she always gives foggy “maybe” replies. His are sharp, definite “Of course” responses with pauses between syllables to give intended meanings.
She wants more specificity, but does not exhibit any. She turns around to him and says, “We might love one day.”
He doesn’t like her vagueness, answers, “Absolutely!”
She feels fingers of silence close around the flow of answers. Lost in questions, she watches him draw the tie of finality around his neck in a smart knot of pretentiousness.
She knows he’ll come to her in the heated night of memory, in a very late hour when his existence is about to be lost in slumber. A trick of light? She mistakes the shine in his eyes for love. She feels him come to the back door of her memory and she gallops to him on horses of passion. “This man of silence passes my neighborhood of love… a gush of wind. He’ll tickle my senses then float away.”
He says, “Questions bring about lies.” He answers without words… his silence a language, and the pause between words creates different meanings and intentions.
She wonders, “Does he think I am a woman of too many words- a woman who throws words like she takes off clothes in her boredom?” She feels that her words are unclear and confusing that perhaps it is the congestion of words within her that creates miscomprehension… not because she has perfected the amusement of sophistries.
She says, “One expresses emotion with words… for me, words create a sea of passion.”
He retorts that her emotions are a mess and inconsistent just like the sea. “Some people,” he says, “hide emotions with precise short words… form walls of formality to hide impulsiveness -or don’t use them, creating a void of silence, where one is lost in a labyrinth of meanings.”
She replies, “If this is the case, then you are a deserted island far from humanity, one that waves hit but never change its outline.”
*
“I want great love.”
He, being the pessimistic one, says, “The tragedy of great love is that it dies young and premature, leaving only ashes to nourish people.”
On the body of her romantic words, he stubs his last cigarettes. When his cigarettes don’t satisfy him, he smokes all the cigarettes of her dreams, turns her heart into an ashtray and goes.
Whenever they meet, their conversation is a loud muteness and their argument spears from the eyes. Whenever they dance, it is to the vibrations of music and the clutter of silence.
She thinks, “It is a world of our own, or is it a world of his?” After meditation, she concludes, “He is the artist of silence, or rather the abstract of silence… an impressionist, painting an abstract portrait depicting colors separated with whiteness.”
She continues her stream of thought, “He too regards me an artist … but more of an expressionist who keeps changing her mind, using blue then wanting red, and having purple on her portrait instead. Whatever I paint never comes out the way I want it. Precision is not my office, and my paintings are a deformed image of myself. Colors take a diversion with me, giving birth to new colors I don’t know. In reality, I have no office, and despise the entrapment it imposes.”
He senses her feelings and says, “But you needn’t wear a tie or a smart dress to convince others of a non-existent nature.”
*
They meet in a common café, in one of the run down alleys of the city. He is sitting beyond her, writing. She sits in a darkened corner trying to read a newspaper and sip black Turkish coffee. She doesn’t notice him in the beginning. Her attention is diverted to a couple sitting opposite each other, murmuring words of endearment. This frozen image of two close heads, bent down whispering to each other words not audible to others, flushes her cheeks with redness.
She whispers to herself, “I need love… it has been years since I fell in love… I have become a flat tire in need of air to function.” With time, her black coffee turns cold. “I need sugar to sweeten the taste.” When she gets up, she asks the lonely writer to ease his chair away.
He answers, “Definitely”.
Her head snaps down at him instinctively. His precise word takes her by surprise. There he sits, opposite the two lovers in a lonely spot. There he sits opposite to love… an animate reflection, sipping stinging tea, writing his precise words on white, crisp paper.
There she stands, swallowing her confusion, writing her fumbled romance on lost paper cuts.
“It is all like a scene from a black and white movie…” she thinks. After a short reflection, she deviates her thoughts, “but the excited artist of this scene doesn’t regard my feelings- goes on splattering all kinds of colors to present a canvas gushing with emotion.” Her face is contorted with baffled perplexity. “Who is love in this case? He or the two lovers opposite him?” She ponders.
She retreats back to her seat, forgetting her aim, hiding her head between clouds of black and white newspaper, wanting to hide from the eloquent brush of that artist. Her heart is beating powerfully. This heart that has been lost and homeless on streets of romance in the city of passion. In that city, her address is wandering and her number, impotency. She sits on her chair, her yearning for sugar coming back to her with intensity.
Then suddenly, this man gets up and presents her with a plate of sugar cubes. She looks at him with surprise and sputters out a ‘thank you, you shouldn’t have’.
He smiles and says, “Certainly, I should’ve!”
Her indecisive words stand, shaking and feeble, facing his resolute words, spoken with preconceived determination.
He sits back in his seat opposite to love and continues writing whatever he is writing. Probably the fall of a preposterous woman in love. His hand doesn’t stop or pause to reflect on the fate he labels on the spur of the moment.
She has become one of the characters under the mercy of the mind and capricious mood of a writer. After waiting for long on that fated seat, she gets up to leave. Her heart squirms on broken knees of hope and manages out of the café.
Once on the street, she runs with strength to the nearest corner of forgetfulness. She stops there, bent down, trying to stand on shaky feet and gulp in patched breaths of prudence to regain the beat of her heart. She thinks, “He is a lonely writer who says a couple of words. How could this create such mess in me? I am an experienced woman- I always practice love from different angles and in so many ways, Yet, here I am, ready to flutter and fall in front of this man, bleeding for mercy.”
As she raises her head again towards light, a shadow obscures the sunrays from her. In a moment of fright she realizes that it is he, the lonely writer, who is about to enter her heart with squadrons of lust.
He eyes her as he stretches his steady hand toward her shaky exterior and says, “Let’s go down for a walk by the sea.”
It is as simple and straightforward as this. No introductions or premieres... just a body.
She stretches her quivering hand toward him and answers, “Ah... yes sir, it would be a pleasure.”
He looks at her intently. Yet, he disregards this and they walk side by side down the crowded street without words. They wrap themselves with the cover of silence on the bed of privacy, and make love of thoughts. Two strangers united in silence aloof from the people and noise around them. They reach the sea and gaze at its waves for a long time. The waves hit and subdue and they remain standing still.
It takes her a while before she asks her first question. “What is your name?”
He looks at her and smiles. “My name, my lady, stresses no real significance on my true identity. It is just a label that will wither with time. Isn’t this sensible for an answer?”
She replies with silence, realizing that this man is not an easy target to get answers from but rather questions. “Then your identity sir, what is it?”
He looks at her with sarcasm, “But madam, surely an identity cannot be imprisoned in the periphery of words?”
She turns her gaze at the sea and in her mind questions the depth of this man. The sea replies back with waves telling her that it questions its own depth, and is still at a loss! With this man, silence seems to be the key to answers.
Suddenly, his voice comes to her saying, “Questions bring about nothing but lies, so meander from using them.”
She laughs as a question appears in her mind. She tries to meander from posing it but asks him anyway, “And what do I do if a question appears in my mind?”
“Remember always and ever my lady, meander, just meander.”
She looks at him quizzically and says, “Even if my questions mock me to thinness and present me with many sleepless, insane nights?”
“Even if… never use the conditional clause… with a woman there is never one condition. Besides, you should know yourself, and frankly, I don’t think you will come to this knowledge by asking endless and meaningless questions.”
“It seems you do not favor the diverse conditions of a woman.”
“No, my lady, I do not favor the moodiness of a woman.”
“Well, of all the bigoted things I have ever heard! How can you tag a universal trait of humanity to one gender only? Don’t you think that men, too, are temperamental at times?”
He looks at her for a long time, taking in the details of her flushed face. He smiles as he says, “You are asking questions again.”
She throws her head back as she laughs incredulously and replies, “You cannot truly say it is my fault that I am asking questions. They arose from within due to your absurd, general statements. I do believe strongly that for every cause there is a reason.”
He laughs. “Well, there may be certain moodiness in men due to particular external pressures, but not by nature.”
She takes in a deep breath, satisfied that he finally answers one of her questions. First round won. Yet his answer is far from satisfaction to her baffled brain.
“Then since our moodiness is acquired via nature, as you declare, you cannot blame us. Whereas you, should be blamed because it is not part of your so-called ‘innate nature’ and yet you fall for it.”
“We all fall for many things, my lady, perhaps, like… love?” he answers, uttering the last words ever so lightly.
She stutters for a while and after regaining her composure, answers, “yes… like love, or whatever that is.”
“Whatever that is…” he echoes.
She is lost in thought for a while. “Love,” she thinks, “is so extreme, so cruel. It comes rather suddenly and takes away all sense of proportion. It enters your heart stealthily and deceptively and yet with so much power. And what is the victim to do but lie down on the bed of the sick… the lovesick, waiting for the expert of love to pass by for an inspection and then move on to the next patient. Yes, love… this unforgiving, selfish autocrat. It is time for change.”
She turns her head towards the sea and tells him, “Well, sir, I think I have to leave now. I have a lot of things to do. Besides, I do not like to waste my time searching for the answers of very factual and basic questions like your name and identity.”
He is taken by surprise by her sudden resoluteness. He opens his mouth to speak, but after reconsideration, he closes it.
“Not very decisive,” she meditates. “It seems, my sir that you stress much importance on who you are by not revealing your identity, and frankly, I think that you are simply nobody trying to be somebody. So long.”
He steps forward, and while touching her shoulder asks, “At least you enjoyed this rendezvous. Will we meet again?”
She eyes him sarcastically, “Where did I hear of this philosophy that questions bring about nothing but lies? Well, sir, it has been certainly an enjoyable experience meeting you and I think that we should absolutely meet one day in the office of identification to create for you an identification card. You definitely cannot live like this unknown to humanity, don’t you think so? Of course when we meet next time, we undoubtedly will discuss the importance of questions.” With this, she departs, leaving behind her a faint trail of footsteps.
*
He looks towards the sea and is lost in questions. “Who is she? What does she want from me? Why did I talk to her? What is the reason for her sudden change?”
The sea simply thrashes the shores, disfiguring the outline and drowning his questions in the roar of waves. From a distance he hears the hushing sound of the wind, telling him not to ask but rather experience to acquire truth…
*
She sits in another café in one of the rundown alleys of the city. She sits in a darkened corner drinking stinging tea opposite two lovers… a reflection of love… a disfigured reflection of love…